A corporate film is made inside a working building, and that constraint shapes it more than any creative decision does.
A factory does not stop. A trading floor does not stop.
So the plan is built around access windows: who is free at eleven, which line is down for maintenance, where the noise is, which room has a window you can control. Get that wrong and you lose the day.
The interviews are the spine. Most people put in front of a camera for the first time say the thing they think they are supposed to say, and it is unusable. The fix is preparation, not editing — a question set written and sent beforehand, then a conversation on the day that mostly ignores it. Nobody is given a script to read. What comes out is somebody explaining their own job, which is the only version an audience believes.
Services
What we make
01 / 05
Leadership and interview
Founders and senior staff on camera, questions written ahead, cut for clarity rather than length.
Right when the message has to come from a person, not a voiceover.
02 / 05
Company film, facility and process
Factory, floor, lab or office, shot around a working day without stopping it.
Right when people keep asking what you actually do.
Event and conference
A day captured and cut down, with the speakers and the room both usable afterwards.
Right when the day only happens once and has to travel further than the room.
04 / 05
Exhibition and trade-show films
A film made for the stand, or of it: to play while the doors are open, or shot there and cut for your own channels afterwards.
Right when there's a stand to fill and a date the doors open.
05 / 05
Podcasts and interview series
A video podcast or a run of interviews, recorded over one day or several, with the full conversation and short clips cut from each recording.
Right when there's more worth saying than one film can hold.
WHERE IT'S SHOWN
One shoot, then a cut for every room it'll play in
Your site and first meetings
The one film that explains what the business does, for a site header or a first meeting.
The stand and the show
Films for the stand or from it. Two FOAID Mumbai 2025 films went up on the client's LinkedIn.
The people who work there
A longer cut for your own people, off the same shoot as the one for your site.
Corporate and interview work
Dixon Technologies A corporate walkthrough film of an electronics plant, from reception to the cleanroom floor. Our role: Filmed and edited.
Exhibition film · Lauritz Knudsen
Interview
Interview series
Process
How the day runs
1
Brief
What the film has to explain, who it has to explain it to, and what they should be able to do after watching it.
2
Recce
A walk of the building before the shoot day. Where the light is, where the noise is, and which areas can't stop working.
3
Interviews
Questions written and sent ahead so nobody is improvising.
4
Coverage
Process, hands, machines and floor, shot to cut against specific sentences rather than gathered as a general sweep.
5
Two cuts
An external film and an internal one. Different lengths for two audiences that don't want the same thing.
Still stuck on something? Send the idea and we'll answer it straight.
How much does video production cost?
Scope sets it — shoot days, crew size, and how much finishing the work needs. You get a treatment, a schedule and a number together, and nothing is shot until you sign off all three. No number is published here because a number without a scope in front of it is a guess.
Do the people on camera need a script?
No. The questions are written and sent ahead, and nobody is handed a script to read.
Can you film inside a live factory or office?
Yes. The plan is built around your access windows, and we walk the building before the shoot day.
Do we get an internal cut as well as an external one?
Yes, if you want both. They come off one shoot.
How many rounds of revisions are included?
Two rounds are included — one at rough cut, one at fine cut. Revision rounds are named in the schedule before the edit starts. Changes after picture lock are new scope, and we say so before you ask. Send notes as one consolidated list per round.
Who owns the footage and the final film?
You own the final delivered film outright, in perpetuity. Ownership is agreed in writing before the shoot, never after delivery. Raw rushes and project files stay with us unless bought out separately. Ask on the first call — in the contract, not in an email.
