The grade is the last thing that happens to a film and it decides more about how the film feels than any other single pass. It is also the one most people discover late, usually when two shots that were meant to be the same scene do not match and nobody can say why.
Send what you have: the footage, any cut you've started, and where it needs to run.
Services
What we make
01 / 06
Editing
Cut on the same timeline the colourist and the motion designer work from, not passed between companies.
Right when the footage exists and the film doesn't yet.
02 / 06
Colour grading
The last pass, graded shot by shot, not a filter over the timeline.
Right when the edit is locked and the look isn't.
03 / 06
Motion and animation
Titles, logo animation, explainers, built for a film or standalone.
Right when the film needs words on screen, or the idea has no footage at all.
04 / 06
Cutdowns and versions
Shorter cuts and new shapes from a film that's already finished, or from its footage, so one film can run in more places.
Right when a finished film has to run somewhere it wasn't cut for.
05 / 06
AI videos
Generated video directed and graded like the rest of it. A person decides what ships.
Right when the idea can't be shot.
06 / 06
AI motion posters
Animated posters for an event, a release or a launch, made with AI from scratch and labelled as AI.
Right when the date's announced before there's anything to film.
WHERE IT LANDS
Finished once, then cut for wherever it has to run
A feature premiere
Ash graded a feature-length Indian drama that premiered in Noida in February 2026.
More places, same film
Shorter cuts and new shapes from a finished film, each one made from the master.
Event and launch posters
Animated posters for an event, a release or a launch date, made with AI and labelled.
AI video, made from scratch.
AI film
AI government films
AI government films
AI brand promo
AI film
AI motion posters
We've made a central-bank museum's AI films from storyboard to final cut, a district administration's AI-generated films, and an event brand's AI motion posters.
Process
From your footage to the master.
Finishing, step by step. An AI video is scoped and graded the same way.
1
Scope
What you have, what it has to become and where it'll run. The schedule and the number come back together.
2
The edit
Your footage is cut, or your cut is finished, on the timeline the colourist and the motion designer also work from.
3
Picture lock
You see a rough cut and a fine cut. Nothing goes to grade until the picture is locked.
4
Conform
The locked edit is rebuilt at full quality from the original camera files, and every cut is checked.
5
The grade
Shot by shot: faces matched between angles, a window pulled back, a background that competes pushed down.
6
Delivery
The master and every version, each one made from the master rather than from another compression.
Still stuck on something? Send the idea and we'll answer it straight.
Can you finish footage someone else shot?
Yes. Editing, colour grading and motion work are offered on their own, for footage shot by anyone.
Do you handle the edit and grade, or just the shoot?
Both. Edit, motion and colour grade happen in-house, on the same timeline, which is why a cutdown is a version rather than a different film. Nothing goes to grade before picture lock, and the grade is a shot-by-shot pass rather than a filter over a finished export. Titles, logo animation and end cards are built in the same room.
Can you grade a feature or a short film?
Yes. Ash, our founder and colourist, graded a feature-length Indian drama that premiered in Noida in February 2026.
Can you make an AI video for our brand or our event?
Yes. AI videos are made from scratch on request, brand promos and event motion posters included, and directed and graded like the rest of our work. Every generated part is labelled.
How many rounds of revisions are included?
Two rounds are included — one at rough cut, one at fine cut. Revision rounds are named in the schedule before the edit starts. Changes after picture lock are new scope, and we say so before you ask. Send notes as one consolidated list per round.
Who owns the footage and the final film?
You own the final delivered film outright, in perpetuity. Ownership is agreed in writing before the shoot, never after delivery. Raw rushes and project files stay with us unless bought out separately. Ask on the first call — in the contract, not in an email.
